Female Choice

Female Choice from Todeskino Collective on Vimeo.

pas une image juste, juste une image (JLG)

pas une image juste, juste une image (JLG)





for the biological term "Female Choice" meaning sexual selection see:
http://en.wikipedia.org/wiki/Female_choice

Mercury Rising

Mercury Rising from Todeskino Collective on Vimeo.

"BABYLON is a MAN..."

I_N_F_L_A_T_I_O_N

1. CG Jung calls "Inflation" a dangerous overwhelming break-in of archetypic contents from the collective unconscious into the human consciousness with the possible result of psychosis

2. "Inflation", a cosmologic term, see http://en.wikipedia.org/wiki/Inflation_(cosmology)

3. "Inflation", an economic term, see http://en.wikipedia.org/wiki/Inflation

4. "Inflation", Hans Richter calls his experimental avantgarde short film from 1928, "a counterpoint of declining people and growing zeros"

5. "In God We Trust" (2010) by Todeskino Collective, T.C., an experimental avantgarde digital video, starring the one dollar bill, George Washington, the eye in the pyramid etc. and the x-ray watermarks of the human body, "In principio erat verbum et verbum erat apud deum et verbum erat deus." (Joh. 1,1)

We make films not to feed children but to feed projectors...

We make films not to feed children but to feed projectors...

Sin obreros / Sans ouvriers / Ohne Arbeiter

être de gauche selon T.C.

Inter Sexual Prosthesis

2 real reels


Inter Sexual Prosthesis von Todeskino

Nekyia

a bright underworld ov sheep

Thanatokinesis

call it a LOW DEFINITION or NO DEFINITION pixel-autopsy
medi-cine

Solve et coagula

solve and bind, 16mm handpainted found footage
there are two versions, one silent 16mm without digital editing, the other with a digital John Zorn soundtrack added

Framing The Circle

the absent center shot through an ordinary lens protection cap

version with soundtrack by John Zorn and Terje Rypdal


silent version

transgressing people

"If my poetry aims to achieve anything, it's to deliver people from the limited ways in which they see and feel." Jim Morrison

Doubles Exposure (part) von Todeskino



http://mythicalcompositions.blogspot.com/

Monopolyphony

Part ONE: Four String Parallel Frames Universe
2 combinations (~3min. of 10sec. units) of 32 shutter speeds ranging from 1/3 to 1/16000 on 4 positions, with wide open lens aperture using the light projection of an unloaded 16mm projector
PART TWO: Square Sun Eclipse Shadowdance - black fire on white fire...

Le sexe cérébral

an old sexfilm by
T.C. recently rediscovered
meticulously restorated by the
luminous bros.
for all of you ready
to get their minds blown
without withdrawal or nasty
hangover side effects
like caused by drugs
or e-motional confusion
unleashed by erotic involvement
just an artistic machinery a
machine fuck and
paratactic kick in the ass of
the gnostic demiurgos

Old garde against avant-garde

"Beau de l'air", a new sex-video from the buddy lair by T.C.

The Architecture of Sexism

America, America, America, T.C. on the America Trilogy by T.C.

Part 1: „Dog God Blues" (13')

Part 2: „Raw War Blues" (44')

Part 3: „New World Blues" (13')

For us „America" does not necessarily mean a territory, but a dream, like for Varèse, or an „airconditioned nightmare", like for Henry Miller, leaves of grass, a dream that comes to the black children in the hour of Pan… (A dream that has nothing to do with the so called „American dream".) Nothing but a chance for transgressive forces to emerge out of the human comedy, tragedy, nothingness (the truthful Blues…) Therefore we do not need to go filming to the sad territory USA today, this dreary, dull, ridiculous empty cistern governed by fear, hate, paranoia, nationalism, bigotry and what we call the „architecture of sexism". The historic found footage shows it best, even more since many sequences do not show the Americans themselves, who btw never existed in reality, but the things that they never understood until today: fascism, their own true face. The 1st & 2nd WW. Enola Gay. „Little Boy". Ivy Mike. Some „pure" Africa. They bring havoc in fear of the physical damage they scarcely experienced in their own land (unless through a weird hypostasis of nature or ragged masses of workers who contrary to the rest of the world remain forgotten within the junkyard of history) - a fatal lack of existential experience. Jean Luc Godard puts it this way in his shrewd way: the Americans only know the civil war because they always distractively fight themselves and their own concealed problems in the face of the other. Themselves, the natives, the slaves, the fascists, the communists as there seemed to appear forces of liberation within themselves, the Islam as the face of their own reactionary, fundamental supression of a sovereign female sex…

(Finally maybe the only reason to waste ones precious time on the US of America might be to SEE their parvenu position as the only remaining imperialistic, parodistic „superpower" in a global post-political cultural age. The „face" of the world that needs to be sacrificed – „Estados Unidos", E.U.)

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